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There’s lots of negative rumours around the Get Back/Let it Be project, many of them exaggerating towards the negative, as things too often tends to do.
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Rouse recruited fellow in-house engineers Paul Hicks and Guy Massey, and the trio began assembling a new album from the 30 reels of tape, referring to the albums assembled by Spector and Glyn Johns for comparison.ĭear Bradley: No, what he said was that the TAPES that was given to Phil Spector was “…shit., etc…”, not the final result, which actually all 4 members of the band, including George Martin approved on to be the final release and where quite satisfied with (including the song “The long and winding road” WITH the orchestration, was approved by all members). In February 2002 Apple’s Neil Aspinall called Abbey Road Studios’ Allan Rouse to ask him to remix the Let It Be recordings. Chief among McCartney’s objections was ‘The Long And Winding Road’, which he felt had been transformed from a simple piano ballad to a full-blown orchestral epic without his consent. McCartney had long been aggrieved by the Let It Be album, particularly the Spector’s 1970 post-production work which added his Wall of Sound signature to several songs. They discussed the lack of availability of the film on VHS and DVD, and spoke about the possibility of remixing the soundtrack to accompany such a release. The project came about following a chance meeting between Paul McCartney and the Let It Be film director Michael Lindsay-Hogg. An extensively remixed and reworked version of songs first released in 1970, Let It Be… Naked stripped away the studio chatter and Phil Spector post-production from The Beatles’ swansong Let It Be, presenting a release closer to the group’s original vision.